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Jessie Johnston ’04 had an idea for a magazine that she couldn’t stop thinking about. It percolated in her head for years until she decided that she would rather fail than never try to publish it.

That germ of an idea is now the award-winning , a publication dedicated to telling the large and small stories of sustainability. Johnston launched the magazine online in February 2018, with a story about a zero-waste grocery store in Vancouver, British Columbia. And since then, it has grown into eight print issues and hundreds of digital stories.

“It was really important to me to start the magazine and just make one issue,” she said. “And if I got to keep going, great. And if I didn’t, I would’ve at least tried to do the thing that I needed to do.”

“And now, every new issue that we do feels like a gift.”

The Roots

The Asparagus seed was planted decades ago. Johnston was introduced to magazines earlier than most children. Her father “accidentally” launched a publication about AutoCAD after he circulated one newsletter. He thought it would be a one-off deal, until he was bombarded with calls from advertisers who saw an opportunity to publish more material on the fast-growing software application. She grew up surrounded by that homegrown magazine operation and piles of magazines in her home as both of her parents were voracious readers.

She’s always loved the form of magazine storytelling, and it’s long been her dream to be at the editorial helm of a print publication. Even during her ��Ӱֱ�� days, when she was working on The College News and majoring in linguistics, she knew that editorial work was the career path for her.

Similarly, her interest in the environment and sustainability took root when she was young. Johnston grew up in Vancouver, where the urban center is surrounded by mountains, forests, and sea. She was introduced to hiking, camping, and playing outside when she was a kid.

“I felt very connected to the natural world during childhood. And, as an adult, I’m finding more and more that I relate to a concept from Indigenous cultures, that there’s no separation between humans and nature; we’re all united.”

“Children understand that, but we raise them to separate themselves from nature, and then we grow to not respect it as much.”

She was a pint-sized environmentalist, even if the word wasn’t in her vocabulary yet.

Through every stage of her education and career, Johnston never wavered from her magazine aspirations. She landed an internship—and then a job—at National Geographic Traveler, which gave her valuable experience in the industry. But as a Canadian citizen, she confronted hurdles with landing any other job in American print media. And with limited opportunities for upward mobility at National Geographic Traveler, she decided to go home to Vancouver and pivot.   

Back in Vancouver, she enrolled in a master’s of publishing program at Simon Fraser University so she could build additional skills in publishing beyond her writing and editorial experience. Once there, she took a job as a project manager at a friend’s web development company, which gave her a quick and intense immersion into managing the daily operations of a business.

When she got laid off from that position a few years later, it pushed her to pursue her own passion project. She suddenly had a surplus of time and the experience she needed to finally launch the magazine she couldn’t stop thinking about.

A Storytelling Ecosystem

Johnston created the magazine she wanted to read—one with a smart, eclectic approach to sustainability stories.

Asparagus covers both the day-to-day aspects of sustainability—like what toilet paper or laundry detergent is best for the environment—and the bigger, systemic issues that

drive climate change and environmental injustice.

That’s how we’re all living our lives right now, she says, with the small daily decisions happening alongside the more complex issues. She wanted to create a storytelling ecosystem that mirrors that reality.

“We want to meet people where they’re at and support them in the day-to-day decisions about how to live more sustainably,” says Johnston. “And we hope that taking away some of the weight of those daily choices will give people space to engage more with the more complex issues.”

If you thumb through the latest issue of Asparagus, you’ll find advice on eco-friendly bedding, a compilation of first-person stories about living through climate disasters, and an article about France’s approach to home energy improvements.

Johnston can point to many ways that Asparagus has influenced her own relationship with sustainability—from the daily decisions to the bigger environmental issues.

“I really, really don’t want to bring any more plastic into my life,” she says. This means she often shops at the same zero-waste grocery store from that first article in 2018, opts for the sushi rice that comes in paper packaging, and squeezes every last ounce of life out of any plastic she already owns.

When it comes to the systemic issues, she feels that Asparagus reinforces how complex every environmental issue really is.

“I keep learning more about how everything is connected; it’s never just an isolated question,” she says, citing the multifaceted problem of large fires in Brazil, which are fueled by a pile of issues, including colonialism, capitalism, and a problematic demand for cheap meat. “The magazine feeds the ��Ӱֱ�� part of me that loves knowing and understanding things,” she says. While some climate issues can feel like an unending spiral of doom, she says climate storytelling is about sharing both the honest reality of challenging issues and the possible solutions.

“We want to tell the stories that give the information we need to understand the world we’re in, and some of those stories are a downer, and we want to tell stories that help

us understand the actions we can take,” she says. “Humans have the capacity to do something about climate change.”

“It’s a really important balance,” says Alia Dharssi, deputy editor of Asparagus. “It can be challenging to talk about climate change because too much negativity can fuel a sense of apathy. Jessie’s vision for Asparagus has always been to do things a little bit differently and publish a magazine that takes the problem of climate change seriously but can also share engaging, fun, and hopeful stories that engage people in a more effective way.”

Interdependence and Connection

Perhaps the most impactful aspect of her work with Asparagus has been learning from Indigenous contributors—who have shared their perspectives and values, shaped by millennia of coexisting with the natural world and natural kin, such as plants, animals, and water.

“The idea of interdependence and connection with the natural world is so powerful,” Johnston says. “The more I can weave those ideas into my life and expose others to those ways of thinking, we’ll all be better for it.”

The contributor roster for Asparagus is as diverse as the content in each issue. Johnston believes it’s critically important to create space for marginalized writers to tell both the stories from their communities and to tell stories, period.

“We need diversity in the industry—not just in telling stories from marginalized communities but in telling all of the stories,” she says. “We want to bring diverse perspectives to every kind of story.”

From the contributors to the content, it’s easy to see the values of Asparagus on every page of the magazine. And, t’s easy to see the values of Asparagus on the page itself. Every issue of Asparagus is printed on 100% post-consumer recycled paper, instead of the virgin fiber you would find between the covers of most magazines.

It’s a decision that comes at a high financial cost, but it’s “non-negotiable,” says Johnston. She explains that recycled paper is more sustainable in every way. You don’t need to cut down more trees to produce recycled paper or put a greater dent in the carbon sink created by forests. And you save lots of energy by using recycled paper as you eliminate everything from cutting down trees, to transporting logs, and turning them into mulch and paper.

The Future of Asparagus

Like many other businesses, Asparagus was hit by the COVID-19 pandemic. Its readership stagnated, and while it’s started growing again in recent months, Johnston

worries that it’s too little, too late.

We are in an era where many print magazines are folding, and it’s hard to cut through the noise on social media to connect with readers. While the challenges are real, Johnston can easily point to many ways that she sees Asparagus as a success, especially considering “Asparagus isn’t even in kindergarten yet.”

The magazine has won three awards and been nominated for many others. It’s educated and empowered readers through eight issues. It’s growing. And perhaps most importantly, it’s never wavered from its mission.

“We created a magazine that’s welcoming to people of all kinds of backgrounds that care about the fate of the natural world and the fate of fellow human beings. We’ve connected our readers with a community that will change them for the better—and empowered them with ideas and knowledge to make the world a better place.”

When she thinks about the uncertain fate of Asparagus, she remembers starting the publication nearly five years ago and just wanting to publish one issue of this magazine that she couldn’t stop thinking about.

Now that she’s well past that one issue, Johnston is at peace with whatever happens, but she certainly hopes Asparagus keeps going.

“I know we can keep doing important things and bringing stories to the world that have value,” she says.