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Personal Statement

I love teaching in the atmosphere of ��Ӱֱ��: the small community of earnest and eager graduate and undergraduate students, the faculty’s mix of disciplines and perspectives, the fantastic resources for research, not to mention the idyllic setting and beautiful traditions that surround us all. My research and teaching interests center on Greek social and intellectual history, with particular focus on mythology, religion, magic, and Platonic philosophy. I enjoy the opportunity to teach courses on some of the less familiar aspects of ancient Greek culture, such as ancient Greek ideas of cosmos, magic, and mystery cults, as well as courses on the language, mythology, and history of ancient Greece.

My current research interests include death and the afterlife in the Greek imagination, Plato and the history of myth interpretation, as well as the marginal categories of magic and Orphism within Greek religion. In addition to my work on Myths of the Underworld Journey, I have published a study entitled Redefining Ancient Orphism, in which I argue that it was not a coherent movement but a label given to a variety of religious practices that deliberately departed from the norm, elaborating on and altering traditional myths and rituals in innovative ways, while appealing to the authority of tradition by invoking the name of Orpheus, the greatest of poets. I have edited a volume of essays on Plato and the Power of Images, exploring the way Plato makes powerful use of various kinds of images, while at the same time mounting devastating critiques against the power of images. Most recently, I edited a volume on Magic and Religion in the Ancient Mediterranean World, with essays on a range of topics focusing on cross-cultural contacts in the ancient Mediterranean, especially the material aspects of magic and religion. My most recent monograph, Drawing Down the Moon, is a study of the discourse of magic in the ancient Greco-Roman world, in which I survey the different things labeled as ‘magic’, from curses and erotic spells to healing and divination, including such esoteric practices as astrology, theurgy, and alchemy.

In addition to scholarship here, I have been enjoying directing the Greek Plays on May Day and singing with the ��Ӱֱ�� Renaissance Choir.

Recent Publications

• edited by Radcliffe Edmonds, Carolina López-Ruiz, Sofía Torallas-Tovar, Routledge (2024)
• "Magicians and Mendicants: New Light from the Marmarini Inscription,” in Magic and Religion in the Ancient Mediterranean World. Ed. R. Edmonds, C. López Ruiz, S. Torallas Tovar, Routledge (2023), pp. 227-248.
• "The Many Faces of Dionysus in the Hexameters of the Sinai Palimpsest (Sin. Ar. Nf 66).” The Classical Quarterly 72, no. 2 (2022), pp. 532–40.
• "Contingent Catastrophe or Agonistic Advantage: The Rhetoric of Violence in Classical Athenian Curses,” Greece & Rome 69 Special Issue 1: Curses in Context IV: Curse Tablets in the Wider Realms of Execrations, Commerce, Law, and Technology, (2022), pp. 8-26.
• "A Path Neither Simple Nor Single: The Afterlife as Good to Think with” in Aspects of Death and the Afterlife in Greek Literature, ed. Hopper, A. and Gazis, G., Liverpool University Press (2021): 11-32.
• "Orphic Eschatologies?” in Eschatology in Antiquity: Forms and Functions, ed. Hilary Marlow, Helen Van Noorden, and Karla Pollmann, Routledge (2021), pp. 117-130.
• "The Song of the Nightingale: Word Play on the Road to Hades in Plato’s Phaedo,” Transactions of the American Philological Association 150.1 (2020), pp. 65-83.
• "First-Born of Night or Oozing from the Slime? Deviant Origins in Orphic Cosmogonies” in The Values of Nighttime in Classical Antiquity: Between Dusk and Dawn. ed. James Ker and Antje Wessels, Brill: Leiden & Boston (2020), pp. 46-69.
• "The Ethics of Afterlife in Ancient Greece,” in Early Greek Ethics, ed. David Wolfsdorf, Oxford University Press (2020), pp. 545-565.
• "And You Will Be Amazed: The Rhetoric of Authority in the Greek Magical Papyri,” Archiv für Religionsgeschichte Volume 21-22 (2020): Issue 1, pp. 29-49.
• , Princeton University Press, 2019.
• , edited by Radcliffe Edmonds and Pierre Destrée, Brill, 2017.
• Cambridge University Press, 2013.
• , Cambridge University Press, 2011.
• , Cambridge University Press, 2004.
• “Misleading and Unclear to the Many: Allegory in the Derveni Papyrus and the Orphic Theogony of Hieronymus”, in The Derveni Papyrus: Unearthing Ancient Mysteries, ed. Marco Antonio Santamaria, Brill (2019), pp. 77-99.
• “Deviant Origins:  Hesiodic Theogony and the Orphica,” in Oxford Handbook of Hesiod, eds., A. Loney & S. Scully, Oxford University Press (2018), pp. 225-242.
• “Alcibiades the Profane: Images of the Mysteries in �ʱ����ٴ�’s&�Բ�����;Symposium,”&�Բ�����;�ʱ����ٴ�’s&�Բ�����;Symposium: A Critical Guide, ed. Pierre Destrée & Zina Giannopoulou, Cambridge University Press (2017), pp. 194-215.
• “When I walked the dark road of Hades: Orphic katabasis and the katabasis of Orpheus,” in Katábasis in Greek Literary Tradition and Religious Thought, ed. Bonnechere & Cursaru. Les Études Classiques 83 (2015), pp. 261-279.
• “Imagining the Afterlife in Greek Religion” in Oxford Handbook of Ancient Greek Religion, eds. Eidinow, Esther & Julia Kindt, Oxford University Press (2015), pp. 551-563.